Highlights

Jack Russell paints cricket legends. Fond memories of India. Advocates for Rishabh Pant and Jamie Smith.

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From Keeper to Canvas: Jack Russell's Artistic Journey

Jack Russell, former England wicketkeeper, has embraced a successful painting career in London, capturing cricket legends on canvas and sharing insights on modern players like Rishabh Pant, while cherishing cultural experiences from his cricketing era.

From Keeper to Canvas: Jack Russell's Artistic Journey

London, Jul 16 (PTI) Former England wicketkeeper-batter Jack Russell, known for his eccentric style during his cricketing days, now spends his time painting portraits in a luxurious area of London. Russell maintains a social media presence to promote his artwork but avoids phones and WhatsApp, preferring email for contact. An in-person meeting is most likely to occur at Chris Beetles Gallery in central London.

At 61, Russell’s unconventional batting stance and trademark sunglasses, coupled with his quick reflexes behind the stumps, have cemented his legacy as one of England’s finest wicketkeepers.

Even over two decades after his retirement from county cricket, Russell remains deeply connected to the sport through his art. A visit to the Ryder Street gallery offers cricket purists a nostalgic journey.

With many followers from India, Russell recently painted a portrait of Ranjitsinhji, the first Indian cricketer to represent England. "Each year, I try to paint someone from history. Last year, it was former England captain Douglas Jardine. This year, I chose Ranjitsinhji for his rich history and colorful career as a stroke player and trailblazer," Russell explained in an interview with PTI.

Through detailed conversations, it becomes clear that while Russell loves cricket, his passion for painting is even stronger. Having retired from England cricket in 1998 and county cricket in 2004, Russell has dedicated over 35 years to painting—surpassing his playing career.

During pop-up rain breaks in English cricket, Russell honed his painting skills, even to the chagrin of teammates. Though not in it for the money, his paintings from the 2019 Ashes series fetched up to £25,000. He acknowledges earning more as an artist than a cricketer, remarking, "In those days, we were well-paid, but not like today’s cricketers. I’m fortunate to have two jobs I love."

When reflecting, Russell shares fond memories of painting across India and Pakistan and considers his depiction of the Brabourne Stadium among his best works. "I loved India and Pakistan—so much joy on days off. Locals often knocked at my hotel wanting portraits. I painted people in markets and restaurants. I felt at home painting in India, Pakistan, and South Africa," Russell reminisces.

Although he hasn't revisited India since the 1996 World Cup, Russell cherishes conversations with cricket legends like Sachin Tendulkar and Javagal Srinath, his former Gloucestershire teammate.

Russell keeps tabs on the latest cricketing events, including attending the third Test between India and England at Lord’s. Despite his busy painting schedule, Russell closely follows the sport and offers thoughtful insights on current wicketkeepers, notably Jamie Smith and Rishabh Pant.

Once influenced by Alan Knott and Bob Taylor, Russell also admired Syed Kirmani, appreciating his skills. Among contemporary keepers, he finds Rishabh Pant to be a compelling performer. "Whether batting or keeping, Pant is an entertainer. Great to see him back after his car accident," observes Russell.

He praises Jamie Smith’s potential, believing Smith could emerge as one of England’s best wicketkeeper-batsmen, likening him to Adam Gilchrist for his skillful hitting. On Pant’s abilities, Russell acknowledges room for improvement, especially considering England's challenging conditions for wicketkeeping. "Pant will make mistakes due to minor technical issues but also achieve amazing things," Russell comments. "If he seeks advice, I’ll offer guidance on minor adjustments. Mostly, these are mental tweaks concerning vision and expectation."

With these reflections shared, Russell immerses back into his painting—a vocation he continues to cherish and refine.

(Only the headline of this report may have been reworked by Editorji; the rest of the content is auto-generated from a syndicated feed.)

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