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IFFM 2025 honors Guru Dutt's 100th birth anniversary with screenings of his iconic films, "Pyaasa" and "Kaagaz Ke Phool," celebrating his lasting impact.

Guru Dutt centenary tribute at IFFM 2025

The IFFM 2025 will commemorate the 100th anniversary of Guru Dutt's birth with screenings of classics like "Pyaasa" and "Kaagaz Ke Phool," celebrating his legendary contributions to Indian cinema.

IFFM 2025 celebrates Guru Dutt's 100th anniversary with screenings of "Pyaasa" and "Kaagaz Ke Phool," showcasing his impact on Indian cinema.

The Indian Film Festival of Melbourne (IFFM) will pay tribute to legendary filmmaker Guru Dutt as part of its 2025 edition, marking the birth centenary of the iconic filmmaker.
The festival will host special screenings of two of his most celebrated films -- "Pyaasa" (1957) and "Kaagaz Ke Phool" (1959), the organisers said in a statement.
Known for his poetic storytelling and profound cinematic vision, Guru Dutt remains one of the most revered names in Hindi cinema.
"With this homage, IFFM aims to celebrate not just the man, but the legacy of a true auteur who gave Indian cinema some of its most memorable moments," they said.
Festival director Mitu Bhowmick Lange said the tribute is an effort to honour the legacy of a true cinematic pioneer.
&ldquo;Guru Dutt was far ahead of his time, both in terms of cinematic technique and the emotional depth of his narratives. His films like 'Pyaasa' and 'Kaagaz Ke Phool' are not just classics, they are cultural treasures that speak to the soul of Indian cinema,&rdquo; she said.
&ldquo;At IFFM, we believe it is essential to honour those who shaped our cinematic heritage. This tribute is our humble way of remembering his genius and introducing his timeless work to new global audiences,&rdquo; she added.
The screenings will be part of a curated retrospective celebrating the golden era of Indian cinema, allowing Melbourne audiences to experience Dutt&rsquo;s work on the big screen &mdash; a rare opportunity to revisit films considered milestones in Indian film history.
The 2025 Indian Film Festival of Melbourne will be held from August 14 to 24.

Celebrating Guru Dutt's centennial, we reflect on his cinematic legacy. Known for films like 'Pyaasa', Dutt's work remains immortal, exploring themes of conflict and introspection.

Centenary of Legendary Filmmaker Guru Dutt

Guru Dutt, an influential Indian filmmaker, crafted profound and introspective films. Despite personal struggles, his creativity persists, inspiring worldwide. His legacy remains enduring and impactful.

Guru Dutt, an iconic Indian filmmaker, crafted profound, introspective films like 'Pyaasa'. Despite personal turmoil, his artistic legacy endures, inspiring generations.

He was 39 when he was found dead, directed just eight films and took 104 takes for that searing climax shot of &ldquo;Pyaasa&rdquo; where the poet protagonist stands framed in light and shadow as he asks "Ye duniya agar mil bhi jaaye to kya hai?" Guru Dutt&rsquo;s life can perhaps be summed up in these three numbers - a superbly talented filmmaker and actor who died just too young from a cocktail of alcohol and sleeping pills and whose films went from being easy-breezy to dark and personal, reflecting his own turmoil and struggles with self.
The actor-filmmaker, one of India&rsquo;s most influential, turns 100 on July 9, moment for cineastes and others to celebrate the work of a man who spelt magic on screen and remains an enigma all these years later.
Never perhaps has there been a showbiz personality -- his life and work both underscored by tragedy -- who has left such a profound impact and so many unanswered questions. His films, some which he produced and others he directed, include "Kagaaz Ke Phool", "Baazi", "Aar Paar", "Chaudhavin Ka Chaand", "Sahib Bibi aur Ghulam" and "Pyaasa".
In &ldquo;Pyaasa&rdquo;, Dutt&rsquo;s role as Vijay, the anguished poet, epitomises not just his artistic mastery as actor and director but also the man he probably was -- an obsessive and uncompromising artist at odds with society and its rules.
In his biography &ldquo;Guru Dutt: An Unfinished Story&rdquo;, author Yasser Usman quotes close friend Dev Anand as saying Dutt would reshoot a lot and scrap most of it if he did not find it perfect.
"By the time he made 'Pyaasa' in 1957, the indecisiveness had magnified manifold. He would shoot and shoot and was unsure about what he really wanted in a particular scene. Even with himself, for the famous climax sequence in 'Pyaasa', he shot one hundred and four takes!" Usman writes.
"Pyaasa" carries the disillusionment that manifests again in his last directorial "Kaagaz Ke Phool", the semi-autobiographical story about a director unwilling to compromise. He made it when his relationship with wife Geeta Dutt was going through a difficult time and never really recovered from the debacle of the film he termed a "still born child".
He sank into depression after that and told friends he didn't have it in him to direct successful films.
The marriage between the two Dutts, one a top playback singer who delivered gem after gem in his films and the other a director on the rise, didn't have the fairytale ending that people thought it would.
It took its inevitable toll.
&ldquo;Guru and Geeta Dutt had realised that their marriage was not working. Geeta Dutt, too, had taken to alcohol and sleeping pills majorly,&rdquo; Guru Dutt&rsquo;s sister Lalita Lajmi recalled in an interview with Usman.
Guru Dutt tried to commit suicide twice. Once, during the making of &ldquo;Pyaasa&rdquo;, and again a few years later when &ldquo;Sahib, Bibi Aur Ghulam&rdquo; (1962) was in production. &ldquo;The second time, it was an overdose of sleeping pills&hellip; He was unconscious for three days. Then, on the fourth day, we heard his scream. The first person he asked for was Geeta. It was strange because their relationship was going through hell,&rdquo; she is quoted as saying in Usman&rsquo;s article for The Print.
Guru Dutt died on October 10, 1964. Geeta Dutt died eight years later on July 20, 1972 of liver cirrhosis at the age of 41.
The personal turmoil seeped into the director's works, many of his films as an actor and filmmaker seeped in fatalism and despair.
Their son Arun Dutt - the couple had three children Tarun, Arun and Nina - said in an interview with WildFilmsIndia that his father was a mix of Vijay from "Pyaasa" and Suresh Sinha from "Kaagaz Ke Phool", a serious and melancholic personality.
Before his death, he was starring and producing "Baharen Phir Bhi Aayengi", which finally released in 1966 and was reshot with Dharmendra as the leading man.
Guru Dutt was born Vasanth Kumar Shivashankar Padukone and Vasanthi Padukone on July 9, 1925, in Bangalore as the eldest of four children but spent his formative years in Kolkata where he picked up not just the language but a close affinity to its culture.
It was a disturbed childhood, his sister has recalled in Usman&rsquo;s book.
As a young child, he was obsessed with shadow play on the wall - a fascination that carried into his films which stand out for their stark interplay of light and dark and evocative song picturisation; most famously perhaps in &ldquo;Saakiya aaj neend nahin aayegi&rdquo; in &ldquo;Sahib, Bibi aur Ghulam&rdquo; and &ldquo;Waqt ne kiya kya haseen sitam&rdquo; in &ldquo;Kaagaz ke Phool&rdquo;.
When he was just 16, Guru Dutt had to discontinue his education to supplement the family's income. He first worked as a telephone operator, hated the job, left it after a month and joined Hindustan Lever's Calcutta office. But influenced by his uncle B B Benegal, a film publicist and painter, Guru Dutt started to nurture a different dream.
That was around the time he decided to pursue his passion for dance and joined renowned Uday Shankar who called him to Almora to join his dance academy.
Guru Dutt later joined Prabhat Film Company in Pune as a choreographer and assistant director. It&rsquo;s here that he met Dev Anand, who went on to become a close friend.
In 1951, Dev Anand roped him in to direct "Baazi", a massive success at the time and one that set the tone for noir style filmmaking in Hindi movies.
Written by actor-writer Balraj Sahni, it featured Geeta Dutt's voice in most of the songs. Remember "Tadbeer se bigdi hui taqdeer bana le".
This is where Geeta and Guru Dutt met and fell in love. They married two years later in 1953.
"Baazi" was followed by "Jaal", again starring Dev Anand and Geeta Bali, was another success in the noir tradition.
In 1954, Guru Dutt starred and directed "Aar Paar", a hit with classics like "Ye lo main haari piya" and "Babuji dheere chalna" in Geeta Dutt's voice and the often remixed "Kabhi aar, kabhi paar" in Shamshad Begum's voice.
He next directed and acted in "Mr and Mrs 55" with Madhubala. After that came &ldquo;CID&rdquo;, starring Dev Anand and directed by his prot&eacute;g&eacute; Raj Khosla.
Guru Dutt's next "Sailaab" was a box office failure the same year and led to "Pyaasa", a story he had written years ago when he was out of a job.
"Pyaasa" marks a change in Guru Dutt's directorial style as he poured everything in this dream project and brought back Waheeda Rehman, the newcomer he had discovered for "CID" and with whom he formed one of the most successful pairings of Hindi cinema.
Many of his films, whether happy or sad, centre around a struggling hero caught between two women.
In "Pyaasa", poet Vijay is torn between Meena (Mala Sinha) who chooses money over love and self sacrificing sex worker Gulabo (Rehman). In "Kaagaz Ke Phool", the director struggles with an unhappy marriage while he finds his muse in his leading heroine Shanti (Rehman). The relationship remains unfulfilled and without definition.
Through his career and many ups and downs , both in his personal and professional lives, the one constant was the core team he built painstakingly after his first hit &ldquo;Baazi&rdquo;. These included writer Abrar Alvi, cinematographer V K Murthy, Waheeda Rehman and comedian Johny Walker, all of whom rallied around him in his moments of despair and encouraged him to not wallow in pity but look ahead.
One outcome of this was "Chaudhvin Ka Chand" in 1960, very different in mood and tenor from &ldquo;Kaagaz ke Phool&rdquo;. After the success of the film, Guru Dutt started dreaming again and convinced writer Bimal Mitra to write the screenplay of "Sahib Bibi Aur Ghulam", his last film.
By then, of course, the artist was drowning in personal tragedy. Close friends and family have gone on record to say that he was given to depressive episodes and the problem was further compounded by alcoholism and reliance on sleeping pills.

Jr NTR wraps up 'War 2', commending Hrithik Roshan's dynamic energy. Directed by Ayan Mukerji and also starring Kiara Advani, the film premieres August 14th as part of the renowned YRF Spy Universe.

Jr NTR wraps War 2 with Hrithik

Telugu star Jr NTR concludes filming 'War 2', admiring Hrithik Roshan's infectious energy and expertise. With direction by Ayan Mukerji, the film promises high-octane action. Releasing August 14th, 'War 2' is a standout addition to the YRF Spy Universe.

Jr NTR completes 'War 2', praising Hrithik Roshan's energy. Directed by Ayan Mukerji, featuring Kiara Advani, the film arrives August 14th as part of the YRF Spy Universe.

Telugu cinema star Jr NTR said he got to learn a lot from his "War 2" co-star Hrithik Roshan, as he completed shooting for the film.
Directed by Ayan Mukerji, the movie is a sequel to the 2019 film "War", which featured Roshan in the role of RAW agent Major Kabir Dhaliwal. The upcoming film also stars Kiara Advani and is slated to hit the big screen on August 14.
NTR shared the news on his Instagram story on Monday evening.
"And It's a wrap for #War2! So much to take back from this one... It's always a blast being on set with @hrithikroshan Sir. His energy is something I have always admired. There is so much I have learned from him on this journey of 'War 2'. @ayan_mukerii has been amazing. He has truly set the stage for a big surprise package for the audience," the 42-year-old actor wrote.
"A big thanks to the entire @yrf team and all our crew for the love and effort. Can't wait for all of you to experience this high on August 14th," he added.
"War 2" promises to deliver six major action sequences shot across five countries over 150 days. The movie is scheduled for release in Hindi, Tamil and Telugu languages and is a part of "YRF Spy Universe".
The "YRF Spy Universe" also includes Salman Khan&rsquo;s "Tiger" movies and Shah Rukh Khan&rsquo;s "Pathaan". The next instalment in the franchise is "Alpha", starring Alia Bhatt and Sharvari.

Discover 'Metro…In Dino', a musical romance by Anurag Basu. The film amassed Rs 16.75 crore over its opening weekend, featuring stories of modern love through an ensemble cast.

Metro…In Dino Box Office Collection in Opening Weekend

Anurag Basu's 'Metro…In Dino' captivates with Rs 16.75 crore in its opening weekend. Featuring stars like Aditya Roy Kapur and Sara Ali Khan, this film explores modern love stories in an engaging sequel to 'Life in a… Metro'.

'Metro&hellip;In Dino', Anurag Basu's musical romance drama, garnered Rs 16.75 crore over its opening weekend. Featuring an ensemble cast, the film revives 'Life in a&hellip; Metro's' themes of modern relationships.

Anurag Basu's directorial "Metro&hellip;In Dino" has collected Rs 16.75 crore net at the domestic box office during its opening weekend.
The musical romance drama stars Aditya Roy Kapur, Sara Ali Khan, Pankaj Tripathi, Konkana Sen Sharma, Ali Fazal, Fatima Sana Shaikh, Anupam Kher, and Neena Gupta.
It revolves around the bittersweet relationships of four couples in a contemporary setting and released in theatres worldwide on July 4.
According to the box office tracking site Sacnilk, "Metro&hellip;In Dino" opened with Rs 3.5 crore nett. The film went on to earn Rs 6 crore nett and Rs 7.25 crore nett on the following days at the domestic box office.
"Metro&hellip;In Dino" is a follow-up to Basu's acclaimed 2007 film "Life in a&hellip; Metro", starring late actor Irrfan Khan, Kay Kay Menon, Sharma, Kangana Ranaut, Shilpa Shetty Kundra, Shiney Ahuja and Shiney Ahuja. Sharma is the only actor who featured in both films.
The film is produced by Bhushan Kumar of T-Series and Anurag Basu Productions Pvt Ltd.

Celebrating 15 years in Bollywood, Rajkummar Rao reflects on his dedication to cinema, prioritizing meaningful contributions over fame.

Rajkummar Rao completes 15 years in Bollywood

Rajkummar Rao looks back on his 15-year Bollywood career, emphasizing passion and dedication over fame. Known for versatile roles, Rao aims for a legacy of meaningful contributions to cinema.

Rajkummar Rao celebrates 15 years in Bollywood, focusing on meaningful contributions rather than fame, showcasing his talent and dedication.

When people think of me, I want them to remember me as someone who was in the film industry for the right reasons, says actor Rajkummar Rao on completing 15 years in Bollywood.
From playing supporting roles in &ldquo;Rann&rdquo;, &ldquo;Gangs of Wasseypur&rdquo;, &ldquo;Talaash&rdquo;, and &ldquo;Kai Po Che!&rdquo;, the actor gradually moved to leading man roles in the movies &ldquo;Shahid&rdquo;, &ldquo;Aligarh&rdquo;, &ldquo;Trapped&rdquo;, &ldquo;Newton&rdquo;, &ldquo;Bareilly Ki Barfi&rdquo;, &ldquo;Badhaai Do&rdquo;, &ldquo;Stree 2&rdquo;, and &ldquo;Bhool Chuk Maaf&rdquo;.
&ldquo;When people think of me after many years, I want them to think of me with a lot of respect, somebody who took his work seriously and who was here for the right reasons, for the right intentions, and not for fame, but to contribute to our cinema,&rdquo; Rao, who made his debut in Bollywood with a three-second role in the Amitabh Bachchan-starrer &ldquo;Rann&rdquo; in 2010, told PTI in an interview.

Saira Banu commemorates Dilip Kumar on his fourth death anniversary, reflecting on their shared bond and his influence in Bollywood.

Saira Banu Remembers Dilip Kumar

Saira Banu honors the legendary Dilip Kumar on his death anniversary, sharing their enduring bond and celebrating his iconic roles in Bollywood.

Saira Banu honors Dilip Kumar's legacy on his death anniversary, cherishing their bond and his cinematic impact.

Veteran actor Saira Banu remembered her late husband and legendary artist Dilip Kumar on his fourth death anniversary, calling him an "inspiration for six generations of actors and the guiding star for those yet to come".
Banu shared a post on her Instagram handle on Monday, which comprised pictures and videos of the late actor, whose credits include acclaimed films such as "Mughal-E-Azam", "Devdas", "Naya Daur", and "Ram Aur Shyam", among others. &lt;blockquote class="instagram-media" data-instgrm-captioned data-instgrm-permalink="https://www.instagram.com/reel/DLytoJ7sEgB/?utm_source=ig_embed&amp;amp;utm_campaign=loading" data-instgrm-version="14" style=" background:#FFF; border:0; border-radius:3px; box-shadow:0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width:540px; min-width:326px; padding:0; width:99.375%; width:-webkit-calc(100% - 2px); width:calc(100% - 2px);"&gt;&lt;div style="padding:16px;"&gt; &lt;a href="https://www.instagram.com/reel/DLytoJ7sEgB/?utm_source=ig_embed&amp;amp;utm_campaign=loading" style=" background:#FFFFFF; line-height:0; padding:0 0; text-align:center; text-decoration:none; width:100%;" target="_blank"&gt; &lt;div style=" display: flex; flex-direction: row; 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border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;"&gt;&lt;/div&gt;&lt;/div&gt;&lt;/a&gt;&lt;p style=" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; line-height:17px; margin-bottom:0; margin-top:8px; overflow:hidden; padding:8px 0 7px; text-align:center; text-overflow:ellipsis; white-space:nowrap;"&gt;&lt;a href="https://www.instagram.com/reel/DLytoJ7sEgB/?utm_source=ig_embed&amp;amp;utm_campaign=loading" style=" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px; text-decoration:none;" target="_blank"&gt;A post shared by Saira Banu Khan (@sairabanu)&lt;/a&gt;&lt;/p&gt;&lt;/div&gt;&lt;/blockquote&gt; &lt;script async src="//www.instagram.com/embed.js"&gt;&lt;/script&gt;
"The dearth of Sahib could never go. and yet, am still with him. One in thought, in mind, in life. In this lifetime, and in the next, my soul has learnt to walk beside him even in his absence. Each year, this day finds me cradling Sahib's memories like delicate blossoms," the post began.
&nbsp;

Khurana, known for starring in "Stree" films and "Jubilee" series, will feature alongside actor Gautham Karthik in the Tamil movie.

aparshakti khurana joins tamil crime thriller

Khurana, known for starring in "Stree" films and "Jubilee" series, will feature alongside actor Gautham Karthik in the Tamil movie.

Actor Aparshakti Khurana is set to foray into Tamil cinema with the upcoming high concept crime thriller "ROOT - Running Out of Time".
Khurana, known for starring in "Stree" films and "Jubilee" series, will feature alongside actor Gautham Karthik in the Tamil movie.
"Root - Running Out of Time", which is currently being shot in Chennai, is being directed by Sooriyaprathap S. The movie is backed by Verus Productions.
According to the makers, the film is a "fresh attempt at blending emotional depth with science fiction and crime thriller narrative".
"I am absolutely thrilled to be making my debut in Tamil cinema with 'ROOT - Running Out of Time'. It's a challenging and unique script, and I'm excited to explore this new territory. The opportunity to work with such a talented team and to connect with a new audience is something I'm truly looking forward to," Khurana said in a statement.
Khurana will next star alongside actors Vaani Kapoor and Paresh Rawal in "Badtameez Gill", a comedy drama from Navjot Gulati.&nbsp;

Makers reveal the first glimpse of 'Ramayana', a mythological epic starring Ranbir Kapoor, Yash and Sai Pallavi. Directed by Nitesh Tiwari, the film releases in Diwali 2026.

'Ramayana' makers unveil first look from Ranbir Kapoor-Yash starrer

Makers reveal the first glimpse of 'Ramayana', a mythological epic starring Ranbir Kapoor, Yash and Sai Pallavi. Directed by Nitesh Tiwari, the film releases in Diwali 2026.

The makers of "Ramayana", billed as an ambitious cinematic event, on Thursday unveiled the first glimpse of the upcoming mythological epic, featuring Ranbir Kapoor, Yash and Sai Pallavi in the lead roles.
Directed by Nitesh Tiwari and produced by Namit Malhotra&rsquo;s Prime Focus Studios and DNEG, in association with Yash&rsquo;s Monster Mind Creations, the film is a two-part live-action saga set 5,000 years ago and rooted in one of Indian mythology&rsquo;s most enduring epics, a press release said.
WATCH: 
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The first part is slated to release worldwide in IMAX during Diwali 2026, with part two following in Diwali 2027.
"Ramayana" features Ranbir as Lord Rama, "KGF" star Yash as Ravana and Sai Pallavi as Goddess Sita as Sunny Deol as Lord Hanuman and Ravie Dubey as Lord Lakshman.
The film's crew includes renowned international artists, including Oscar-winning composers Hans Zimmer and A R Rahman, who are collaborating on the score.
The action sequences are choreographed by Hollywood stunt veterans Terry Notary and Guy Norris, and the film&rsquo;s visual world is being shaped by production designers Ravi Bansal of "Dune 2" fame and Ramsey Avery as "Captain America".
As part of the global reveal, titled "Ramayana: The Introduction", fan screenings were held across nine Indian cities, alongside a striking billboard takeover in New York&rsquo;s Times Square.

Bollywood star Saif Ali Khan makes his first public appearance after being stabbed during a robbery attempt in January. At a Netflix event, he excitedly discussed his upcoming film Jewel Thief – The Heist Begins, where he plays a jewel thief.

Saif Ali Khan makes first public appearance at Netflix event post the knife attack

Bollywood star Saif Ali Khan makes his first public appearance after being stabbed during a robbery attempt in January. At a Netflix event, he excitedly discussed his upcoming film Jewel Thief &ndash; The Heist Begins, where he plays a jewel thief.

Bollywood actor Saif Ali Khan made his first public appearance on Monday since being stabbed during a robbery attempt at his Mumbai residence last month.
The 54-year-old star attended the slate announcement event of streaming service Netflix, where he shared that it felt &ldquo;nice to be standing&rdquo; in front of an audience.
&nbsp;
<blockquote class="twitter-tweet">
<a href="https://twitter.com/hashtag/SaifAliKhan?src=hash&amp;ref_src=twsrc%5Etfw">#SaifAliKhan</a> showcasing <a href="https://twitter.com/hashtag/JewelThief?src=hash&amp;ref_src=twsrc%5Etfw">#JewelThief</a> on <a href="https://twitter.com/hashtag/Netflix?src=hash&amp;ref_src=twsrc%5Etfw">#Netflix</a> Good to see him looking well. <a href="https://t.co/E7oxIfmnpM">pic.twitter.com/E7oxIfmnpM</a>
&mdash; Sevenspace (@sevenspacesX) <a href="https://twitter.com/sevenspacesX/status/1886386457050321347?ref_src=twsrc%5Etfw">February 3, 2025</a></blockquote>
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On January 16, Saif was attacked by an intruder during the early hours of the morning at his 12th-floor home in Bandra. The actor underwent surgery and was discharged four days later, following the traumatic incident.
At the Netflix event, Saif's upcoming film Jewel Thief &ndash; The Heist Begins was announced. The heist drama, directed by Robbie Grewal and Kookie Gulati, stars Saif alongside Jaideep Ahlawat.
The film is produced by Siddharth Anand, known for his work on Pathaan, and his wife Mamta Anand, under their production banner Marflix Pictures.
Saif expressed his excitement about the project, saying, &ldquo;It feels very nice to be standing here in front of you. And it feels very nice to be here. I&rsquo;m very excited about this movie.&rdquo;
The actor added that he and Siddharth had been discussing the film for a long time.
&ldquo;I&rsquo;ve always wanted to do a heist film, and a film like this, I couldn&rsquo;t have asked for a better co-star. And basically, a lovely movie, and I&rsquo;m very excited,&rdquo; Saif said, wearing denim and with a bandage on his neck. WATCH THE TEASER:
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<blockquote class="twitter-tweet">
Two masterminds, one priceless diamond and a heist spanning across the globe 💎🌏 Jewel Thief - The Heist Begins, coming soon, only on Netflix.<a href="https://twitter.com/hashtag/JewelThief?src=hash&amp;ref_src=twsrc%5Etfw">#JewelThief</a> <a href="https://twitter.com/hashtag/JewelThiefOnNetflix?src=hash&amp;ref_src=twsrc%5Etfw">#JewelThiefOnNetflix</a><a href="https://twitter.com/hashtag/NextOnNetflixIndia?src=hash&amp;ref_src=twsrc%5Etfw">#NextOnNetflixIndia</a> <a href="https://t.co/RchrvdZvao">pic.twitter.com/RchrvdZvao</a>
&mdash; Netflix India (@NetflixIndia) <a href="https://twitter.com/NetflixIndia/status/1886374731290718576?ref_src=twsrc%5Etfw">February 3, 2025</a></blockquote>
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Jewel Thief &ndash; The Heist Begins follows Saif&rsquo;s character, a jewel thief hired by a powerful crime lord to steal a rare diamond called The African Red Sun. The heist takes a dramatic turn, resulting in chaos, betrayal, and unexpected alliances.
The film also stars Kunal Kapoor and Nikita Dutta. It marks the reunion of Saif and director Siddharth Anand after 17 years, having previously worked together on Salaam Namaste (2005) and Ta Ra Rum Pum (2007).
Saif has already finished shooting for the movie, which will be released directly on Netflix.

Bollywood

Filmmaker Laxman Utekar has decided to remove the controversial "lezim" dance scene from his upcoming film Chhaava, based on Chhatrapati Sambhaji Maharaj, after facing objections from politicians and history enthusiasts. 

Controversial dance sequence cut from Vicky Kaushal's 'Chhaava'

Filmmaker Laxman Utekar has decided to remove the controversial "lezim" dance scene from his upcoming film Chhaava, based on Chhatrapati Sambhaji Maharaj, after facing objections from politicians and history enthusiasts.

Filmmaker Laxman Utekar announced on Monday that the "lezim" dance scene from his upcoming movie Chhaava, based on the life of Maratha warrior king Chhatrapati Sambhaji Maharaj, will be removed following objections raised by politicians and history enthusiasts.
The decision came after Utekar met Maharashtra Navnirman Sena (MNS) chief Raj Thackeray at his residence in Mumbai to discuss the issue.
The trailer of the film, released earlier this week, included a sequence where actors Vicky Kaushal and Rashmika Mandanna, portraying Chhatrapati Sambhaji Maharaj and Maharani Yesubai, are seen dancing with the "lezim," a traditional musical instrument tied to Maharashtra's cultural heritage.
Speaking to reporters, Utekar stated, "The meeting with Raj Thackeray was to seek his advice. His knowledge of history, especially regarding Chhatrapati Shivaji Maharaj, is extensive. He provided valuable suggestions for changes, which we will implement. As for the scene featuring Chhatrapati Sambhaji Maharaj playing 'lezim,' we will delete it. It was not our intention to hurt anyone's sentiments."
The scene drew sharp criticism on social media, with some politicians accusing the filmmakers of disrespecting the historical figure.
Utekar explained, "We are removing the scene because it is not a significant part of the film. If people feel that the portrayal is inaccurate, we are willing to make this change. Our goal has always been to honour and showcase the greatness of Chhatrapati Sambhaji Maharaj to the world."
He further emphasized the meticulous research behind the film, saying, "This film is a result of four years of research by our team. The aim is to educate the world about the contributions of Chhatrapati Sambhaji Maharaj as a great warrior and king. If any part of the film tarnishes this vision, we have no hesitation in addressing it."
Maharashtra Minister and Shiv Sena leader Uday Samant, who had earlier called for the removal of the controversial scenes, welcomed the director's decision, expressing hope that this resolution would settle the matter.
Chhaava is scheduled for a theatrical release on February 14.

Explore Guru Dutt's cinematic legacy on his 100th birth anniversary through brother Devi's reflections, cherished memories, and timeless films.

Guru Dutt centenary brings unseen family memories

On Guru Dutt’s centenary, his brother Devi offers a heartfelt glimpse into the legendary filmmaker's multifaceted life. Rediscover his monumental works and enduring influence on Indian cinema as we honor his creative journey and unique vision.

Celebrating Guru Dutt&rsquo;s centenary, his brother Devi shares insights into the filmmaker&rsquo;s influential yet tender legacy.

Guru Dutt was famous for his quicksilver temper on the movie sets but he was equally good at winning over people, says Devi Dutt while remembering his elder brother on the filmmaker's 100th birth anniversary.
Devi Dutt witnessed every shade of his brother&rsquo;s temperament -- the man who gifted Indian cinema timeless classics like "Pyaasa", "Kaagaz Ke Phool", and "Sahib Bibi Aur Ghulam".
&ldquo;He was lovely. He would get angry a lot. He would speak his heart out, but within some time, he would make the other person feel as if nothing had gone wrong. He would win over a person&rsquo;s heart,&rdquo; Devi Dutt told PTI, recalling how he has still kept the wrist watch that his brother gifted him on his wedding day.
"I still have the watch with me. But I don&rsquo;t wear it anymore," he added.
Guru Dutt, who died at the age of 39 in 1964, was 13 years elder to Devi Dutt.
&ldquo;He would treat me like a child. He was 13 years older than me. I would cry a lot as he would insult me in front of everyone. I would tell my mother, &lsquo;What kind of a brother is he?&rsquo; "My mother would confront him, and he would say, &lsquo;I do so because he is my brother, and he should become a good producer&rsquo;,&rdquo; Devi Dutt, who worked as production manager on movies like &ldquo;Aar Paar&rdquo;, &ldquo;Mr and Mrs 55&rdquo;, &ldquo;CID&rdquo;, &ldquo;Sailaab&rdquo;, &ldquo;Kaagaz Ke Phool&rdquo;, &ldquo;Chaudhvin Ka Chand&rdquo;, &ldquo;Sahib Bibi Aur Ghulam&rdquo;, and &ldquo;Baharen Phir Bhi Aayengi&rdquo;, said.
Asked if Guru Dutt was receptive to ideas and suggestions from others, Devi Dutt said he never mustered the courage to speak up in front of his brother.
&ldquo;I would stay away from him because I would fear he would shout at me. Whenever he would not see me around, he would yell, &lsquo;Where is Devi?&rsquo; He taught me almost everything about the making of a film. Initially, he put me in the sound department, then he shifted me to production, and then I was in charge of the studio. He had a lot of trust in me,&rdquo; he said.
One remarkable anecdote that stands out in Devi Dutt's memory is related to the climax of Guru Dutt's seminal movie &ldquo;Pyaasa&rdquo;.
The film, which Guru Dutt wrote, directed, produced and starred in, was initially supposed to star Dilip Kumar but the actor instead opted to work on B R Chopra's "Naya Daur".
It was their mother, Vasanthi, who suggested Guru Dutt to star in the movie.
Devi Dutt recounted that &ldquo;Pyaasa&rdquo; was met with scepticism as both Kumar and Chopra expressed doubts about its commercial viability at a trial screening.
&ldquo;After the film got released, we learnt after four shows that the movie is a flop. The movie was playing in Minerva cinema and Guru Dutt ji would often go to watch 3 pm and 6 pm shows regularly at this theatre, right from 'Aar Paar' days. Minerva was his favourite cinema.
"The theatre was close to the red-light area, and most women used to come to see the film. One day, a lady, who was a prostitute, told Guru Dutt ji, &lsquo;Show a happy ending, and your film will run in theatres&rsquo;. So, we reshot the portion with Waheeda Rehman and then it ran for 25 weeks," Devi Dutt said.
The new ending worked wonders for the film, which became a box office hit and is today considered one of the greatest films in Indian cinema.
While &ldquo;Pyaasa&rdquo; and &ldquo;Kaagaz Ke Phool&rdquo; dominate conversations about his brother&rsquo;s legacy, Devi Dutt believes people often overlooks films such as &ldquo;Baaz&rdquo;, &ldquo;Aar Paar&rdquo;, and &ldquo;Mr. and Mrs. 55&rdquo;.
"He was not just &lsquo;Kaagaz Ke Phool&rsquo; and &lsquo;Pyaasa&rsquo;, director,&rdquo; he said.
The thematic elements of Guru Dutt's films often led many to view them through an autobiographical lens, particularly &ldquo;Pyaasa&rdquo; and &ldquo;Kaagaz Ke Phool&rdquo;, and Devi Dutt acknowledges this.
&ldquo;&lsquo;Pyaasa&rsquo; was in parts, but &lsquo;Kaagaz Ke Phool&rsquo; was kind of that (autobiographical), but he made certain changes to the story. SD Burman had told Guru Dutt ji not to make a film on his life, and if he still wanted to make it, then &lsquo;Kaagaz Ke Phool&rsquo; would be his last movie with him.
"&lsquo;Kaagaz Ke Phool&rsquo; flopped miserably; the songs were so good, but the film did not do well. SD Burman never gave music to Guru Dutt ji&rsquo;s movies after this and we went with OP Nayyar.&rdquo; Guru Dutt loved his children --Tarun, Arun and Nina. &ldquo;He was fond of kids, especially his daughter. He was fond of Nina a lot. Besides, he loved animals,&rdquo; Devi said, adding that Guru Dutt was also a sports enthusiast.
&ldquo;He would back the Kolkata football team. He would watch football matches often, and even Tennis matches; he would watch a lot,&rdquo; he said.
A day before his demise in 1964, Guru Dutt was discussing his new film &ldquo;Baharen Phir Aayengi&rdquo; (1966) with writer Abrar Alvi. Guru Dutt had produced the movie and was set to headline it as well.
&ldquo;While we were working on &lsquo;Baharen Phir Bhi Aayengi&rsquo;, it happened (he died). It (film) was almost complete, only the climax was left. We took Dharmendra for this film; he charged only Rs 1.50,&rdquo; he said.
What if Guru Dutt was alive today? Devi Dutt said his brother would have continued to champion stories about a &ldquo;struggling&rdquo; protagonists.
&ldquo;He liked portraying his protagonist as a struggling man; if you look in most of his films, the hero struggles. He was a struggler in the beginning, and after a lot of hard work, he reached where he did. Today, if he were alive, he would&rsquo;ve narrated the story of a struggling protagonist,&rdquo; Devi Dutt said.

Celebrating the centenary of Guru Dutt, revisiting his iconic works like 'Pyaasa', 'Kaagaz Ke Phool', showcasing his legacy in Hindi cinema.

Timeless Cinematic Legacy of Guru Dutt

Revisiting Guru Dutt's iconic works on his centenary. From 'Pyaasa' to 'Kaagaz Ke Phool', explore his lasting impact on Hindi cinema.

Revisiting the iconic works of Guru Dutt on his centenary, highlighting timeless classics like 'Pyaasa' and 'Kaagaz Ke Phool'.

Guru Dutt was a legendary filmmaker, who directed, produced and acted in some of the biggest classics of Hindi cinema. On his 100th birthday, here are some of his most memorable films: "Pyaasa" (1957): His dream project and one that's for the cinema history books, "Pyaasa" features Guru Dutt as a disillusioned poet. It also has biographical elements as it document's his father's failed creative ambition to become a writer. The movie gave immortal songs such as "Ye Duniya Agar Mil Bhi Jaaye To Kya", "Jaane Vo Kaise Log The", "Ham Aapki Aankhon Mein", "Jaane Kya Tune Kahi" as well as "Sar Jo Tera Chakaraye". Actors Mala Sinha, Waheeda Rehman and Rehman also starred in the movie.
"Kaagaz Ke Phool" (1959): The movie was a box office disaster when it was released in theatres. Guru Dutt was so heartbroken by its failure that he never directed again. But today, it is counted amongst Hindi cinema's most loved classics.
Like "Pyaasa", it also carries a lot of biographical elements, especially his broken marriage and his own dissatisfaction with his creative endeavours. A filmmaker with a muse and a broken home who is driven to alcoholism and dies alone on a movie set. It was India's first film produced in CinemaScope and is recognised as 'Greatest Musical of 1959' by the British Film Institute. The film is also lauded for its technical prowess.
"Sahib Bibi Aur Ghulam" (1962): One of his last films as a producer and again a dream project. He convinced Bengali novelist Bimal Mitra to not only lend his book for a movie adaptation but also write its screenplay. The movie was directed by Dutt's close friend, Abrar Alvi. It is set in Bengal and revolves around a neglected wife in the decadent feudal household. Guru Dutt plays a servant who comes to empathise with the loneliness of the woman. It is one of the most iconic performances of Meena Kumari. The film also stars Waheeda Rehman as Jaba and Rehman as Meena Kumari's screen husband.
"Aar Paar" (1954): Dutt directed and starred in the movie alongside his friend and comedian Johnny Walker, Shyama, Shakila, Jagdeep and Jagdish Sethi. A commercial venture, the movie was themed as a noir-comedy and followed a street-smart cab driver romancing two women.
It is Guru Dutt's spin on the tramp-with-a-golden-heart concept. The movie was a hit and featured popular tracks such as "Babuji Dheere Chalna" and "Ye Lo Main Haari Piya", both sung by Dutt's singer-wife Geeta Dutt, as well as the often remixed "Kabhi Aar, Kabhi Paar" by Shamshad Begum.
"Chaudhvin Ka Chand" (1960): Directed by Mohammed Sadiq and produced by Dutt, the 1960 was the filmmaker's biggest commercial hit and saved his production company from bankruptcy after the box office failure of "Kaagaz Ke Phool". The film was in the genre of "Muslim social" popular at the time. It featured Dutt, Waheeda Rehman and Rehman in a love triangle. The film is still remembered for its evergreen title track by Mohammad Rafi.
"Baazi" (1951): Starring Guru Dutt's friend Dev Anand and Geeta Bali, this 1951 film marked his directorial debut. The movie's success shaped the future noir movies in Hindi cinema that came to be known as "Bombay noir". The film revolves around Madan, played by Anand, a gambler who is framed for a murder of a dancer that he knew.
"Mr. &amp; Mrs. '55" (1955): A romantic comedy about a struggling cartoonist and modern heiress, played by Dutt and Madhubala, the film is known for the chemistry between its lead characters. The story revolves around themes of love, marriage, and gender roles.
"Jaal" (1952): The crime noir, directed by Dutt, starred Dev Anand and Geeta Bali. It was set in a fishing village in Goa and followed a woman, named Maria, who falls for the charming and mysterious Tony. "Baaz" (1953): The movie, which Dutt directed, marked his acting debut and also starred Geeta Bali and K. N. Singh. The film revolves around the story of a young woman named Neelu who finds herself torn between two men: a police inspector and a notorious criminal.
"Baharen Phir Bhi Aayengi" (1966): The romantic tragedy was Dutt's last film and was released after his death. Directed by Shaheed Latif, the movie was reshot with it stars Dharmendra, Mala Sinha, Tanuja, Deven Verma, Rehman and Johnny Walker. Dutt was the producer and Dharmendra replaced Dutt as the lead post his death at the age of 39 on October 10, 1964. The film explores a love triangle between a reporter and two sisters who love him.

Experience Guru Dutt’s centenary with a special film retrospective from August 8 to 10. Ultra Media and Entertainment showcases restored classics like 'Pyaasa' and 'Chaudhvin Ka Chand,' celebrating Dutt's cinematic legacy and influence.

Guru Dutt film retrospective begins August 8

Celebrate Guru Dutt's centenary from Aug 8-10 with restored classics like 'Pyaasa' and 'Chaudhvin Ka Chand.' Ultra Media's nationwide retrospective honors his cinematic legacy and artistic genius. Experience timeless films and enduring influence.

Celebrate Guru Dutt&rsquo;s centenary with a nationwide retrospective of restored classic films from August 8 to 10. Experience timeless works like 'Pyaasa,' 'Aar Paar,' and 'Chaudhvin Ka Chand,' honoring Dutt's enduring influence and cinematic legacy.

As part of the centenary celebrations of legendary filmmaker Guru Dutt, a special retrospective of his iconic films will be held across the country from August 8 to 10, Ultra Media and Entertainment has announced.
The retrospective will feature restored versions of some of Dutt&rsquo;s most celebrated films, including "Pyaasa", "Aar Paar", "Chaudhvin Ka Chand", "Mr. &amp; Mrs. 55" and "Baaz".
The restoration of Pyaasa and other titles has been undertaken by the National Film Development Corporation (NFDC) and the National Film Archive of India (NFAI), under the central government's National Film Heritage Mission.
Sushilkumar Agrawal, MD &amp; CEO, Ultra Media and Entertainment Pvt Ltd, which holds the rights to these films, said they are honoured to present the timeless movies of the late filmmaker-actor for his fans and cinema lovers.
&ldquo;Guru Dutt&rsquo;s films are timeless masterpieces that have influenced generations of filmmakers and audiences alike. We are honoured to present his classics in restored versions so that both devoted fans and new audiences can relive the magic on the big screen,&rdquo; Agrawal said in a statement.
Prakash Magdum, Managing Director at NFDC, said, "Restoring Guru Dutt&rsquo;s films goes far beyond reviving old reels. It's about safeguarding a priceless legacy that defines the soul of Indian cinema."

Rajkummar Rao and Patralekhaa are expecting their first child. The Bollywood couple, married since 2021, announced the news on Instagram, receiving warm wishes from fans and peers. This joyous news marks another highlight in their journey.

Rajkummar Rao and Patralekhaa announce pregnancy on Instagram

Bollywood couple Rajkummar Rao and Patralekhaa are thrilled to announce they're expecting their first child. Celebrations pour in from fans and celebrities, adding excitement to Rao's upcoming film 'Maalik'.

Rajkummar Rao and Patralekhaa announce they're expecting their first child, prompting joy from fans and celebrities.

Bollywood actor couple Patralekhaa and Rajkummar Rao on Wednesday announced that they are expecting their first child together.
The couple shared the news in a joint post on Instagram, where they posted a message that read "Baby on the way".
They captioned it, "Elated." Rao, 40, and Patralekhaa, 35, dated for 11 long years before tying the knot in November 2021.
Many celebrities, including Bhumi Pednekar, Farah Khan and Kiara Advani, congratulated the couple on Instagram.
"So happy for you both my dear friends," wrote actor Sonam Kapoor.
Varun Dhawan said, "Congratualtionsssssss." Rao, known for his acclaimed performances in films like &ldquo;Stree 2&rdquo;, &ldquo;Srikanth&rdquo;, &ldquo;Badhaai Do&rdquo;, &ldquo;Trapped&rdquo;, &ldquo;Shahid&rdquo;, is currently awaiting the release of his film "Maalik" on Friday.
Patralekhaa, who debuted opposite Rao in Hansal Mehta&rsquo;s &ldquo;CityLights&rdquo;, has featured in shows such as &ldquo;IC 814: The Kandahar Hijack&rdquo; and &ldquo;Mai Hero Boll Raha Hu&rdquo;. She was most recently seen in "Phule", opposite Pratik Gandhi.

A video showing the singer standing on the edge of the sea link bridge has been widely circulated on social media platforms.

Singer booked for dangerous Mumbai bridge stunt

Viral stunt lands Bollywood singer in trouble

A video showing the singer standing on the edge of the sea link bridge has been widely circulated on social media platforms.

Mumbai Police have registered a case against Bollywood singer and songwriter Yasser Desai and two others for allegedly performing a life threatening stunt by climbing the edge of the Bandra Worli Sea Link, officials said on Wednesday.
A video showing the singer standing on the edge of the sea link bridge has been widely circulated on social media platforms.
According to the officials, an onlooker had seen him climbing on the edge of the sea link bridge and two of his associates shooting the performance.
After performing the stunt, the group left the bridge in their car.
The onlooker, who had also recorded the incident, sent the video to the Mumbai Police following which they tried to locate the car with the help of its number plate.
During the investigation, it came to light that the man standing on the edge of the bridge was singer Desai, the official said.
The Bandra police here on Tuesday registered a case against the singer and his two associates under sections 285 (danger or obstruction in public way), 281 (rash driving), 125 (endangering life or personal safety of others) and 3(5) (common intention) of the Bharatiya Nyaya Sanhita and provisions of the Motor Vehicles Act, he said.
The police were trying to contact the singer and his two associates for further legal action in the case, the official said.&nbsp;

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