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Gulzar shares cinematic beginnings. Praises AR Rahman's influence. New poetry course launched at Whistling Woods.

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Gulzar Details His Unexpected Cinematic Journey at Whistling Woods

Gulzar, at 91, shared his unintended journey into cinema, emphasizing his passion for literature. He became a lyricist in 1956, debuting with 'Mora Gora Ang Lai Le'.

Gulzar Details His Unexpected Cinematic Journey at Whistling Woods

Mumbai, Oct 9 (PTI) Veteran poet-lyricist and filmmaker Gulzar, a celebrated figure in Indian cinema, confessed he never anticipated a career in film, as literature was his first passion. Speaking at the inaugural session of 'Celebrate Cinema 2025' at Subhash Ghai's Whistling Woods film institute on Wednesday evening, the 91-year-old icon shared how deeply books influenced him, both as an avid reader and an aspiring writer.

"I never intended to enter cinema or write for it," Gulzar said, emphasizing his love affair with literature. "I wanted to see my name on a book of Vipassana short stories, not on film credits. I watched movies, but my affection for cinema developed only after I joined the industry." He authored esteemed works such as "Raavi Paar," "Triveni," "Bosky's Panchtantra," and "Actually... I Met Them: A Memoir."

Born Sampooran Singh Kalra in pre-Independence Punjab, now part of Pakistan, Gulzar is lauded for his poetic contributions to Indian storytelling. His cinematic journey began in 1956, debuting as a lyricist with the song "Mora Gora Ang Lai Le" in Bimal Roy's "Bandini" (1963), which became an enduring classic.

Recounting his introduction to Bimal Roy, Gulzar recalled being convinced by friends Debu Sen, Roy's assistant, and renowned lyricist Shailendra. Shailendra challenged him, stating, "What do you think—those in the industry are illiterate? You should work with Bimal Roy; people aspire to work with him." He then facilitated the meeting with Roy himself.

Initially hesitant, filmmaker Bimal Roy questioned Gulzar's ability to write Vaishnava poetry required for "Bandini," but Debu vouched for Gulzar's understanding of Bengali. "Bimal da asked me in Hindi, 'Tum likhega?' (Will you write?), and though intimidated, I accepted the task. With Sachin da's tune, the song 'Mora Gora Ang Lai Le Mohe Shaam Rang Dai De' was born," Gulzar recounted. He later directed acclaimed films like "Parichay," "Koshish," "Aandhi," "Maachis," and "Hu Tu Tu."

The opportunity to contribute to "Bandini" arose from a disagreement between composer SD Burman and Shailendra. Bimal Roy, in need of a budding writer, turned to Gulzar on Shailendra's recommendation.

During the session, Gulzar was joined by filmmaker Subhash Ghai, lyricist Kausar Munir, and Salim Arif, a costume designer on Gulzar's films "Maachis" and "Hu Tu Tu." In discussing "Poetry and Music," Gulzar emphasized their cultural significance, noting that both mediums remain cherished. He praised AR Rahman for elevating Indian music's global profile.

“When films were initially exported, songs often were removed,” he noted. “Today, there's international demand for Indian songs, largely due to AR Rahman's influence.” The two collaborated on iconic tracks such as "Jai Ho," "Chaiyya Chaiyya," and "Tere Bina."

Commenting on his legacy, Gulzar stated, "I've learned to walk with time." "I'm not demonstrating anything; I'm showing who I am. I learn from the younger generation; I'm still walking along with them," he said, modestly dismissing the idea of passing on achievements.

Complementing the event, Subhash Ghai inaugurated a new poetry and literature course at Whistling Woods Academy, underscored by Gulzar, Munir, and Arif's presence.

(Only the headline of this report may have been reworked by Editorji; the rest of the content is auto-generated from a syndicated feed.)

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